Comment nous avons transformé une chanson hindi en film d'animation de 5 minutes sur Krishna
Comment nous avons transformé une chanson hindi en film d'animation de 5 minutes sur Krishna
Comment nous avons transformé une chanson hindi en film d'animation de 5 minutes sur Krishna
« Makhan Chor » a été réalisé dans Atlabs à partir d'une chanson importée et d'un concept écrit. Voici les réglages exacts, le prompt complet et les 108 scènes produites, pour que vous puissiez copier la méthode avec votre propre morceau.
La plupart des outils vidéo IA vous donnent un clip à la fois, et vous assemblez vous-même l'histoire. Atlabs fonctionne à l'inverse : vous lui donnez une chanson terminée et un plan écrit, et il découpe la chanson en courtes scènes, génère un plan pour chaque phrase des paroles et garde les mêmes personnages et le même style graphique dans tout le film.
Le résultat ici est un clip musical dévotionnel pour enfants sur l'enfance de Krishna : sa naissance à minuit dans la cellule de la prison, la traversée du fleuve, les vols de beurre, l'univers dans sa bouche et la colline de Govardhan. Personne n'a animé une seule image à la main. Tout ce qui suit vient de quatre éléments de départ.
Le film en un coup d'œil
Durée : 4:59
Scènes : 108
Personnages : 10
Sections de la chanson : 15
Langue : hindi
Export : 2K, 16:9
Le workflow
Importer la chanson (morceau en hindi, format 16:9)
Choisir un style (mode Storyboard, 3D Cartoon)
Écrire le concept (personnages, lieux, screenplay)
Passer en revue les scènes et exporter (108 scènes, rendu 2K)
Étape 1 : importez la chanson
Démarrez une nouvelle story avec le workflow clip musical pour enfants et importez votre morceau terminé. Atlabs transcrit les voix et utilise le rythme de chaque phrase chantée pour décider où une scène se termine et où la suivante commence. Vous ne réglez jamais vous-même la durée des scènes.
Source du script : Uploaded Audio Story
Morceau : « माखन चोर » (Makhan Chor), une chanson dévotionnelle complète en hindi avec une intro, trois couplets, un pont et trois refrains
Langue : hindi
Format d'image : 16:9 (paysage, pour YouTube)
Astuce : importez le mixage final, pas une démo. Les coupes de scènes suivent le rythme des voix : si la chanson est réenregistrée, il faut redécouper chaque scène.
Étape 2 : choisissez le style
Mode de sortie : Storyboard
Style d'image : 3D Cartoon
Le mode Storyboard planifie le film comme une série de plans individuels, chacun lié à une phrase des paroles, ce qui convient à une chanson aux nombreuses lignes courtes. Le style 3D Cartoon donne le rendu doux et arrondi des films d'animation, adapté à un public d'enfants. Choisissez un seul style pour tout le film : il garde le design de chaque personnage cohérent de la scène 1 à la scène 108.
Étape 3 : validez le concept
Voici le prompt détaillé qui pilote tout le film. Il comporte trois parties, et chacune a une fonction précise. Nous avons utilisé Claude pour le générer et l'avons collé dans la section de saisie du storyline :
Personnages. Une description visuelle fixe pour chacun des 10 personnages : teint, vêtements, bijoux, un accessoire signature. Atlabs réutilise ces descriptions dans chaque plan, ce qui permet à Krishna de rester le même tout-petit dans la cellule de la prison et sur la colline de Govardhan.
Lieux. Un lieu principal, plus un décor minimal pour chaque partie de la chanson. L'expression « une action à la fois sur un fond simple » garde les plans lisibles pour les jeunes spectateurs.
Screenplay. Des temps forts horodatés, chacun avec un LYRIC CUE qui le relie à une partie de la chanson. C'est ainsi que les visuels savent que la traversée de la Yamuna correspond à « यमुना उमड़ी थी » et le soulèvement de la colline à « काले बादल घिर आए ».
Le prompt de concept complet, tel que saisi dans Atlabs :
CHARACTERS:
1. Krishna (protagonist): Adorable toddler with soft blue-tinted skin, big kohl-lined eyes, curly black hair with a single peacock feather, tiny yellow dhoti, gold anklets and a small bead necklace.
2. Yashoda (supporting): Warm, round-faced mother in a red-and-green sari with silver bangles; usually beside a clay butter pot or a churning rod.
3. Nanda (supporting): Kind village chief with a white dhoti, cream turban and a short salt-and-pepper beard.
4. Vasudeva (supporting): Gentle father with long dark hair, plain white cloth, broken chains still on his wrists.
5. Devaki (supporting): Soft-faced mother in a simple violet sari, tired eyes, a small silver pendant.
6. Balarama (supporting): Slightly older boy, fair-skinned and sturdy, pale blue dhoti, cheerful open grin.
7. Madhu (supporting): Small barefoot cowherd friend in an orange dhoti and a tiny turban with a marigold tucked in.
8. Sudha the Gopi (supporting): Young village woman in a bright pink sari, carrying a clay butter pot on her hip.
9. Radha (supporting): Little girl in a soft yellow lehenga, tiny flowers braided into her hair.
10. Neelu the Peacock (supporting): Bright blue-green peacock with a soft rounded body that opens its fan slowly.
LOCATIONS:
1. Gokul Courtyard Home: Bright, safe village home with mud-and-lime walls, pastel light, hanging clay pots, a swing and a simple uncluttered background; characters appear one at a time.
2. The Song Spots (one per section): Minimal vignettes — a quiet stone cell lit by soft gold light, the Yamuna at night, a neighbour's courtyard, a village doorway, green Govardhan hill and an evening pasture — each showing one action at a time against a simple background.
SCREENPLAY:
(No spoken dialogue. Every scene is cut to the Hindi song "माखन चोर"; the lyric line under each scene is the audio cue, not dialogue.)
[0:00–0:12] EXT. GOKUL SKY - NIGHT
Stars over a sleeping village. A single peacock feather drifts down through the dark and settles on a clay butter pot.
LYRIC CUE: [Intro] — bansuri flute, temple bells.
[0:12–0:36] INT. STONE CELL, MATHURA - NIGHT
Grey stone walls. DEVAKI holds a newborn wrapped in yellow cloth. VASUDEVA kneels beside her with old chains on his wrists. A soft gold light spreads across the floor.
The chains slip off and fall silently. The heavy door swings open by itself. Outside, the guards sleep peacefully against the wall.
LYRIC CUE: आधी रात थी… ताले खुद ही खुल गए, पहरा सारा सो गया
[0:36–1:00] EXT. YAMUNA RIVER - STORMY NIGHT
Warm silver rain. Vasudeva wades in holding a flat basket above his head, the baby smiling inside.
One tiny foot reaches out and touches the water. The river goes glassy and parts into a smooth path. A great many-hooded serpent rises behind him and spreads its hoods like an umbrella.
LYRIC CUE: यमुना उमड़ी थी… शेषनाग की छाँव में, राहें बन गईं
[1:00–1:12] INT. NANDA'S HOME, GOKUL - DAWN
Blue morning light. YASHODA wakes, sees the baby beside her and covers her mouth in joy. NANDA sits up, wide-eyed. She circles her hands around the baby's face in blessing.
LYRIC CUE: गोकुल में सवेरा, यशोदा मुस्कुरा दी
[1:12–1:34] INT. GOKUL KITCHEN - MORNING
Toddler KRISHNA tiptoes to a low shelf, dips a fist into a butter pot and smears it on his nose and chin.
Quick playful cuts on the beat: buttery footprints across the floor, anklets jingling, Yashoda's hands reaching, Krishna ducking under a low table, laughing.
LYRIC CUE: [Chorus] माखन चोर, माखन चोर…
[1:34–1:58] EXT. NEIGHBOUR'S COURTYARD - DAY
A butter pot hangs high from a rope. BALARAMA plants his feet, MADHU climbs onto his shoulders, Krishna scrambles to the top.
He tips the pot. Soft white butter drops in slow motion. A monkey on the wall catches a piece and eats it happily.
LYRIC CUE: ऊँची छींके पे मटकी… माखन गिरा, बंदर हँसा
[1:58–2:22] EXT. GOKUL COURTYARD HOME - DAY
SUDHA THE GOPI arrives at the doorway holding an empty pot. Yashoda turns, hands on hips.
Krishna steps out with folded hands and enormous innocent eyes, then points vaguely at the monkeys on the roof. Sudha spots butter behind his ear, tries to stay stern, and breaks into laughter.
LYRIC CUE: सुधा गोपी आ गई… हँसी देख के उसकी, गुस्सा पिघल गया
[2:22–2:44] EXT. VILLAGE LANE - DAY
Krishna, Balarama and Madhu race down the lane past cows and drying laundry, butter still on their cheeks. Village children join the run. Neelu the peacock opens his fan as they pass.
LYRIC CUE: [Chorus] माखन चोर, माखन चोर…
[2:44–3:08] EXT. COURTYARD GARDEN - DAY
Quiet. Krishna sits in the dust with a pinch of mud near his mouth. Yashoda kneels and gently tilts his chin up. He opens his mouth wide.
Inside: turning stars, drifting planets, whole galaxies moving slowly. Yashoda sits back, stunned.
CUT TO: She loops a rope around his waist — two fingers short. A longer rope — two fingers short. A pile of ropes at her feet. She stops, breathless, and smiles at him. The little rope closes gently around him on its own.
LYRIC CUE: [Bridge] मुँह खोलो ज़रा लाला… बँधता है बस प्रेम से
[3:08–3:32] EXT. GOVARDHAN HILL - DAY
Heavy clouds. Rain pours on villagers, cows and calves huddling together.
Krishna walks to the base of the green hill, crouches and lifts it on the tip of his little finger. The hill rises like an enormous umbrella.
Everyone runs underneath — Yashoda, Nanda, Balarama, Madhu, RADHA, Sudha, the cows and Neelu. Inside it is warm, dry and glowing.
LYRIC CUE: काले बादल घिर आए… नन्ही उँगली पे उठा लिया गोवर्धन पहाड़
[3:32–3:54] EXT. UNDER GOVARDHAN HILL - DAY
Everyone dances in the dry golden light beneath the hill: children clapping, gopis circling, calves skipping. Krishna holds the hill steady with one finger and grins straight at camera.
LYRIC CUE: [Chorus] माखन चोर, माखन चोर…
[3:54–4:10] EXT. VRINDAVAN PASTURE - EVENING
Amber sky, golden grass. Krishna sits on a rock playing the bansuri. Radha, Balarama and Madhu sit around him. Cows lift their heads, Neelu dances slowly.
Yashoda appears at the far edge of the field, waving him home. Krishna lowers the flute, grins, and runs down the slope, anklets jingling.
FINAL IMAGE: The empty butter pot and a peacock feather resting against the courtyard wall.
LYRIC CUE: [Outro]
CHARACTERS:
1. Krishna (protagonist): Adorable toddler with soft blue-tinted skin, big kohl-lined eyes, curly black hair with a single peacock feather, tiny yellow dhoti, gold anklets and a small bead necklace.
2. Yashoda (supporting): Warm, round-faced mother in a red-and-green sari with silver bangles; usually beside a clay butter pot or a churning rod.
3. Nanda (supporting): Kind village chief with a white dhoti, cream turban and a short salt-and-pepper beard.
4. Vasudeva (supporting): Gentle father with long dark hair, plain white cloth, broken chains still on his wrists.
5. Devaki (supporting): Soft-faced mother in a simple violet sari, tired eyes, a small silver pendant.
6. Balarama (supporting): Slightly older boy, fair-skinned and sturdy, pale blue dhoti, cheerful open grin.
7. Madhu (supporting): Small barefoot cowherd friend in an orange dhoti and a tiny turban with a marigold tucked in.
8. Sudha the Gopi (supporting): Young village woman in a bright pink sari, carrying a clay butter pot on her hip.
9. Radha (supporting): Little girl in a soft yellow lehenga, tiny flowers braided into her hair.
10. Neelu the Peacock (supporting): Bright blue-green peacock with a soft rounded body that opens its fan slowly.
LOCATIONS:
1. Gokul Courtyard Home: Bright, safe village home with mud-and-lime walls, pastel light, hanging clay pots, a swing and a simple uncluttered background; characters appear one at a time.
2. The Song Spots (one per section): Minimal vignettes — a quiet stone cell lit by soft gold light, the Yamuna at night, a neighbour's courtyard, a village doorway, green Govardhan hill and an evening pasture — each showing one action at a time against a simple background.
SCREENPLAY:
(No spoken dialogue. Every scene is cut to the Hindi song "माखन चोर"; the lyric line under each scene is the audio cue, not dialogue.)
[0:00–0:12] EXT. GOKUL SKY - NIGHT
Stars over a sleeping village. A single peacock feather drifts down through the dark and settles on a clay butter pot.
LYRIC CUE: [Intro] — bansuri flute, temple bells.
[0:12–0:36] INT. STONE CELL, MATHURA - NIGHT
Grey stone walls. DEVAKI holds a newborn wrapped in yellow cloth. VASUDEVA kneels beside her with old chains on his wrists. A soft gold light spreads across the floor.
The chains slip off and fall silently. The heavy door swings open by itself. Outside, the guards sleep peacefully against the wall.
LYRIC CUE: आधी रात थी… ताले खुद ही खुल गए, पहरा सारा सो गया
[0:36–1:00] EXT. YAMUNA RIVER - STORMY NIGHT
Warm silver rain. Vasudeva wades in holding a flat basket above his head, the baby smiling inside.
One tiny foot reaches out and touches the water. The river goes glassy and parts into a smooth path. A great many-hooded serpent rises behind him and spreads its hoods like an umbrella.
LYRIC CUE: यमुना उमड़ी थी… शेषनाग की छाँव में, राहें बन गईं
[1:00–1:12] INT. NANDA'S HOME, GOKUL - DAWN
Blue morning light. YASHODA wakes, sees the baby beside her and covers her mouth in joy. NANDA sits up, wide-eyed. She circles her hands around the baby's face in blessing.
LYRIC CUE: गोकुल में सवेरा, यशोदा मुस्कुरा दी
[1:12–1:34] INT. GOKUL KITCHEN - MORNING
Toddler KRISHNA tiptoes to a low shelf, dips a fist into a butter pot and smears it on his nose and chin.
Quick playful cuts on the beat: buttery footprints across the floor, anklets jingling, Yashoda's hands reaching, Krishna ducking under a low table, laughing.
LYRIC CUE: [Chorus] माखन चोर, माखन चोर…
[1:34–1:58] EXT. NEIGHBOUR'S COURTYARD - DAY
A butter pot hangs high from a rope. BALARAMA plants his feet, MADHU climbs onto his shoulders, Krishna scrambles to the top.
He tips the pot. Soft white butter drops in slow motion. A monkey on the wall catches a piece and eats it happily.
LYRIC CUE: ऊँची छींके पे मटकी… माखन गिरा, बंदर हँसा
[1:58–2:22] EXT. GOKUL COURTYARD HOME - DAY
SUDHA THE GOPI arrives at the doorway holding an empty pot. Yashoda turns, hands on hips.
Krishna steps out with folded hands and enormous innocent eyes, then points vaguely at the monkeys on the roof. Sudha spots butter behind his ear, tries to stay stern, and breaks into laughter.
LYRIC CUE: सुधा गोपी आ गई… हँसी देख के उसकी, गुस्सा पिघल गया
[2:22–2:44] EXT. VILLAGE LANE - DAY
Krishna, Balarama and Madhu race down the lane past cows and drying laundry, butter still on their cheeks. Village children join the run. Neelu the peacock opens his fan as they pass.
LYRIC CUE: [Chorus] माखन चोर, माखन चोर…
[2:44–3:08] EXT. COURTYARD GARDEN - DAY
Quiet. Krishna sits in the dust with a pinch of mud near his mouth. Yashoda kneels and gently tilts his chin up. He opens his mouth wide.
Inside: turning stars, drifting planets, whole galaxies moving slowly. Yashoda sits back, stunned.
CUT TO: She loops a rope around his waist — two fingers short. A longer rope — two fingers short. A pile of ropes at her feet. She stops, breathless, and smiles at him. The little rope closes gently around him on its own.
LYRIC CUE: [Bridge] मुँह खोलो ज़रा लाला… बँधता है बस प्रेम से
[3:08–3:32] EXT. GOVARDHAN HILL - DAY
Heavy clouds. Rain pours on villagers, cows and calves huddling together.
Krishna walks to the base of the green hill, crouches and lifts it on the tip of his little finger. The hill rises like an enormous umbrella.
Everyone runs underneath — Yashoda, Nanda, Balarama, Madhu, RADHA, Sudha, the cows and Neelu. Inside it is warm, dry and glowing.
LYRIC CUE: काले बादल घिर आए… नन्ही उँगली पे उठा लिया गोवर्धन पहाड़
[3:32–3:54] EXT. UNDER GOVARDHAN HILL - DAY
Everyone dances in the dry golden light beneath the hill: children clapping, gopis circling, calves skipping. Krishna holds the hill steady with one finger and grins straight at camera.
LYRIC CUE: [Chorus] माखन चोर, माखन चोर…
[3:54–4:10] EXT. VRINDAVAN PASTURE - EVENING
Amber sky, golden grass. Krishna sits on a rock playing the bansuri. Radha, Balarama and Madhu sit around him. Cows lift their heads, Neelu dances slowly.
Yashoda appears at the far edge of the field, waving him home. Krishna lowers the flute, grins, and runs down the slope, anklets jingling.
FINAL IMAGE: The empty butter pot and a peacock feather resting against the courtyard wall.
LYRIC CUE: [Outro]
CHARACTERS:
1. Krishna (protagonist): Adorable toddler with soft blue-tinted skin, big kohl-lined eyes, curly black hair with a single peacock feather, tiny yellow dhoti, gold anklets and a small bead necklace.
2. Yashoda (supporting): Warm, round-faced mother in a red-and-green sari with silver bangles; usually beside a clay butter pot or a churning rod.
3. Nanda (supporting): Kind village chief with a white dhoti, cream turban and a short salt-and-pepper beard.
4. Vasudeva (supporting): Gentle father with long dark hair, plain white cloth, broken chains still on his wrists.
5. Devaki (supporting): Soft-faced mother in a simple violet sari, tired eyes, a small silver pendant.
6. Balarama (supporting): Slightly older boy, fair-skinned and sturdy, pale blue dhoti, cheerful open grin.
7. Madhu (supporting): Small barefoot cowherd friend in an orange dhoti and a tiny turban with a marigold tucked in.
8. Sudha the Gopi (supporting): Young village woman in a bright pink sari, carrying a clay butter pot on her hip.
9. Radha (supporting): Little girl in a soft yellow lehenga, tiny flowers braided into her hair.
10. Neelu the Peacock (supporting): Bright blue-green peacock with a soft rounded body that opens its fan slowly.
LOCATIONS:
1. Gokul Courtyard Home: Bright, safe village home with mud-and-lime walls, pastel light, hanging clay pots, a swing and a simple uncluttered background; characters appear one at a time.
2. The Song Spots (one per section): Minimal vignettes — a quiet stone cell lit by soft gold light, the Yamuna at night, a neighbour's courtyard, a village doorway, green Govardhan hill and an evening pasture — each showing one action at a time against a simple background.
SCREENPLAY:
(No spoken dialogue. Every scene is cut to the Hindi song "माखन चोर"; the lyric line under each scene is the audio cue, not dialogue.)
[0:00–0:12] EXT. GOKUL SKY - NIGHT
Stars over a sleeping village. A single peacock feather drifts down through the dark and settles on a clay butter pot.
LYRIC CUE: [Intro] — bansuri flute, temple bells.
[0:12–0:36] INT. STONE CELL, MATHURA - NIGHT
Grey stone walls. DEVAKI holds a newborn wrapped in yellow cloth. VASUDEVA kneels beside her with old chains on his wrists. A soft gold light spreads across the floor.
The chains slip off and fall silently. The heavy door swings open by itself. Outside, the guards sleep peacefully against the wall.
LYRIC CUE: आधी रात थी… ताले खुद ही खुल गए, पहरा सारा सो गया
[0:36–1:00] EXT. YAMUNA RIVER - STORMY NIGHT
Warm silver rain. Vasudeva wades in holding a flat basket above his head, the baby smiling inside.
One tiny foot reaches out and touches the water. The river goes glassy and parts into a smooth path. A great many-hooded serpent rises behind him and spreads its hoods like an umbrella.
LYRIC CUE: यमुना उमड़ी थी… शेषनाग की छाँव में, राहें बन गईं
[1:00–1:12] INT. NANDA'S HOME, GOKUL - DAWN
Blue morning light. YASHODA wakes, sees the baby beside her and covers her mouth in joy. NANDA sits up, wide-eyed. She circles her hands around the baby's face in blessing.
LYRIC CUE: गोकुल में सवेरा, यशोदा मुस्कुरा दी
[1:12–1:34] INT. GOKUL KITCHEN - MORNING
Toddler KRISHNA tiptoes to a low shelf, dips a fist into a butter pot and smears it on his nose and chin.
Quick playful cuts on the beat: buttery footprints across the floor, anklets jingling, Yashoda's hands reaching, Krishna ducking under a low table, laughing.
LYRIC CUE: [Chorus] माखन चोर, माखन चोर…
[1:34–1:58] EXT. NEIGHBOUR'S COURTYARD - DAY
A butter pot hangs high from a rope. BALARAMA plants his feet, MADHU climbs onto his shoulders, Krishna scrambles to the top.
He tips the pot. Soft white butter drops in slow motion. A monkey on the wall catches a piece and eats it happily.
LYRIC CUE: ऊँची छींके पे मटकी… माखन गिरा, बंदर हँसा
[1:58–2:22] EXT. GOKUL COURTYARD HOME - DAY
SUDHA THE GOPI arrives at the doorway holding an empty pot. Yashoda turns, hands on hips.
Krishna steps out with folded hands and enormous innocent eyes, then points vaguely at the monkeys on the roof. Sudha spots butter behind his ear, tries to stay stern, and breaks into laughter.
LYRIC CUE: सुधा गोपी आ गई… हँसी देख के उसकी, गुस्सा पिघल गया
[2:22–2:44] EXT. VILLAGE LANE - DAY
Krishna, Balarama and Madhu race down the lane past cows and drying laundry, butter still on their cheeks. Village children join the run. Neelu the peacock opens his fan as they pass.
LYRIC CUE: [Chorus] माखन चोर, माखन चोर…
[2:44–3:08] EXT. COURTYARD GARDEN - DAY
Quiet. Krishna sits in the dust with a pinch of mud near his mouth. Yashoda kneels and gently tilts his chin up. He opens his mouth wide.
Inside: turning stars, drifting planets, whole galaxies moving slowly. Yashoda sits back, stunned.
CUT TO: She loops a rope around his waist — two fingers short. A longer rope — two fingers short. A pile of ropes at her feet. She stops, breathless, and smiles at him. The little rope closes gently around him on its own.
LYRIC CUE: [Bridge] मुँह खोलो ज़रा लाला… बँधता है बस प्रेम से
[3:08–3:32] EXT. GOVARDHAN HILL - DAY
Heavy clouds. Rain pours on villagers, cows and calves huddling together.
Krishna walks to the base of the green hill, crouches and lifts it on the tip of his little finger. The hill rises like an enormous umbrella.
Everyone runs underneath — Yashoda, Nanda, Balarama, Madhu, RADHA, Sudha, the cows and Neelu. Inside it is warm, dry and glowing.
LYRIC CUE: काले बादल घिर आए… नन्ही उँगली पे उठा लिया गोवर्धन पहाड़
[3:32–3:54] EXT. UNDER GOVARDHAN HILL - DAY
Everyone dances in the dry golden light beneath the hill: children clapping, gopis circling, calves skipping. Krishna holds the hill steady with one finger and grins straight at camera.
LYRIC CUE: [Chorus] माखन चोर, माखन चोर…
[3:54–4:10] EXT. VRINDAVAN PASTURE - EVENING
Amber sky, golden grass. Krishna sits on a rock playing the bansuri. Radha, Balarama and Madhu sit around him. Cows lift their heads, Neelu dances slowly.
Yashoda appears at the far edge of the field, waving him home. Krishna lowers the flute, grins, and runs down the slope, anklets jingling.
FINAL IMAGE: The empty butter pot and a peacock feather resting against the courtyard wall.
LYRIC CUE: [Outro]
L'image de concept générée par Atlabs à partir de ce prompt, avec un aperçu de trois moments clés : la cellule, Govardhan, et le pot et la plume de la fin.
Astuce : écrivez le screenplay pour la chanson que vous avez réellement. Chaque LYRIC CUE cite les premiers et derniers mots de cette section, afin qu'Atlabs puisse la retrouver dans l'audio.
Étape 4 : chaque scène et le prompt qui la pilote
À partir de la chanson et du concept, Atlabs a produit 108 scènes. La plupart durent 2,5 secondes, soit environ une phrase chantée. Les notes tenues plus longtemps durent de 3 à 5 secondes. Atlabs écrit le plan de chaque scène à partir du temps fort du screenplay sous lequel tombent ses paroles : le prompt de chaque scène est donc cette section de votre concept.
Ci-dessous, le film est découpé en ses 15 sections de chanson. Chacune montre la partie exacte du concept qui la pilote, ce que signifient les paroles en hindi, et chaque scène dans l'ordre avec son heure de début, sa durée et sa phrase de paroles.
Ouverture : une plume au-dessus de Gokul
Intro instrumentale · Scènes 1–6 · 0:00–0:16
Prompt de cette section (tiré du concept) :
[0:00–0:12] EXT. GOKUL SKY - NIGHT
Stars over a sleeping village. A single peacock feather drifts down through the dark and settles on a clay butter pot.
LYRIC CUE: [Intro]
[0:00–0:12] EXT. GOKUL SKY - NIGHT
Stars over a sleeping village. A single peacock feather drifts down through the dark and settles on a clay butter pot.
LYRIC CUE: [Intro]
[0:00–0:12] EXT. GOKUL SKY - NIGHT
Stars over a sleeping village. A single peacock feather drifts down through the dark and settles on a clay butter pot.
LYRIC CUE: [Intro]
Ce que disent les paroles : Pas encore de voix. La flûte et les cloches du temple installent l'ambiance, tandis que les premiers plans établissent le ciel nocturne et le motif de la plume qui revient dans le dernier plan.
Ce que disent les paroles : Il était minuit derrière les murs de la prison, des chaînes de fer et l'obscurité partout. Le cri d'un bébé a retenti et chaque recoin s'est illuminé. Les serrures se sont ouvertes toutes seules et tous les gardes se sont endormis.
Scène 07 · 0:16.2 · 5.0s — आधी रात थी, कारागार · Lire le clip
Scène 08 · 0:21.2 · 5.0s — की दीवार थी। लोहे की जंजीरें, चारों ओर · Lire le clip
Scène 09 · 0:26.2 · 2.5s — अंधियार थी। एक · Lire le clip
Scène 10 · 0:28.7 · 2.5s — किलकारी गूंजी, हर कोना · Lire le clip
Scène 11 · 0:31.2 · 2.5s — जगमगा गया। ताले · Lire le clip
Scène 12 · 0:33.7 · 2.5s — खुद ही खुल गए, पहरा · Lire le clip
Scène 13 · 0:36.2 · 2.5s — सारा सो गया। · Lire le clip
La traversée de la Yamuna
Couplet 1, suite · Scènes 14–20 · 0:39–1:04
Prompt de cette section (tiré du concept) :
[0:36–1:00]
[0:36–1:00]
[0:36–1:00]
Ce que disent les paroles : La Yamuna était en crue et les nuages déversaient la pluie. Avec le panier sur la tête, le père a traversé. Un tout petit pied a touché l'eau et les vagues se sont apaisées. À l'ombre de Sheshnag, un chemin s'est ouvert.
Scène 20 · 0:58.7 · 5.0s — की छांव में, राहें बन गई। · Lire le clip
L'aube à Gokul
Pré-refrain · Scènes 21–24 · 1:04–1:14
Prompt de cette section (tiré du concept) :
[1:00–1:12]
[1:00–1:12]
[1:00–1:12]
Ce que disent les paroles : Le matin est arrivé à Gokul et Yashoda a souri. Nand Baba a dit : « Mon petit, laisse-moi prendre sur moi tous tes soucis. »
Scène 21 · 1:03.7 · 2.5s — गोकुल में सवेरा, · Lire le clip
Scène 24 · 1:11.2 · 2.5s — बलैय्या मैं ले लूरी। माखन · Lire le clip
Refrain 1 : le voleur de beurre
Refrain · Scènes 25–34 · 1:14–1:44
Prompt de cette section (tiré du concept) :
[1:12–1:34] INT. GOKUL KITCHEN - MORNING
Toddler KRISHNA tiptoes to a low shelf, dips a fist into a butter pot and smears it on his nose and chin.
Quick playful cuts on the beat: buttery footprints across the floor, anklets jingling, Yashoda's hands reaching, Krishna ducking under a low table, laughing.
LYRIC CUE: [Chorus]
[1:12–1:34] INT. GOKUL KITCHEN - MORNING
Toddler KRISHNA tiptoes to a low shelf, dips a fist into a butter pot and smears it on his nose and chin.
Quick playful cuts on the beat: buttery footprints across the floor, anklets jingling, Yashoda's hands reaching, Krishna ducking under a low table, laughing.
LYRIC CUE: [Chorus]
[1:12–1:34] INT. GOKUL KITCHEN - MORNING
Toddler KRISHNA tiptoes to a low shelf, dips a fist into a butter pot and smears it on his nose and chin.
Quick playful cuts on the beat: buttery footprints across the floor, anklets jingling, Yashoda's hands reaching, Krishna ducking under a low table, laughing.
LYRIC CUE: [Chorus]
Ce que disent les paroles : Voleur de beurre, voleur de beurre. De petites empreintes de pas partout. Du beurre sur le nez, du beurre sur le menton. Ses bracelets de cheville tintent chhan chhan chhan. Kanha, Kanha, la lumière de Gokul, notre voleur préféré.
Prompt de cette section : pas de temps fort distinct dans le concept. Atlabs a rempli ces plans à partir des sections voisines.
Ce que disent les paroles : Un court silence musical entre le refrain et le couplet suivant. Le concept n'a pas de temps fort distinct pour cet intervalle : ces trois plans font donc passer le refrain de la cuisine au couplet de la cour.
Ce que disent les paroles : Le pot est suspendu à une haute corde. Balarama se tient en bas et la bande de Madhu se rassemble. Kanha grimpe tout en haut et touche le pot. Le beurre tombe, le singe rit, et tout le village se réveille.
Scène 43 · 2:03.7 · 2.5s — कान्हा चढ़ा सबसे ऊपर, · Lire le clip
Scène 44 · 2:06.2 · 2.5s — मटकी को छुआ। · Lire le clip
Scène 45 · 2:08.7 · 2.5s — माखन गिरा, बंदर हँसा, · Lire le clip
Scène 46 · 2:11.2 · 2.5s — सारा गाँव जगा। सुधा · Lire le clip
Pris par la gopi Sudha
Couplet 2, suite · Scènes 47–54 · 2:14–2:34
Prompt de cette section (tiré du concept) :
[1:58–2:22]
[1:58–2:22]
[1:58–2:22]
Ce que disent les paroles : La gopi Sudha arrive avec un pot vide à la main. « Maiya, je n'ai rien mangé, ce sont les singes. » Il y a du beurre derrière son oreille et sur ses pieds. Un regard sur son sourire, et sa colère a fondu.
Scène 47 · 2:13.7 · 2.5s — गोपी आ गई, खाली · Lire le clip
Scène 52 · 2:26.2 · 2.5s — पैरों में लगा। हँसी · Lire le clip
Scène 53 · 2:28.7 · 2.5s — देख के उसकी, गुस्सा · Lire le clip
Scène 54 · 2:31.2 · 2.5s — पिघल गया। माखन · Lire le clip
Refrain 2 : la course dans la ruelle
Refrain · Scènes 55–66 · 2:34–3:04
Prompt de cette section (tiré du concept) :
[2:22–2:44] EXT. VILLAGE LANE - DAY
Krishna, Balarama and Madhu race down the lane past cows and drying laundry, butter still on their cheeks. Village children join the run. Neelu the peacock opens his fan as they pass.
LYRIC CUE: [Chorus]
[2:22–2:44] EXT. VILLAGE LANE - DAY
Krishna, Balarama and Madhu race down the lane past cows and drying laundry, butter still on their cheeks. Village children join the run. Neelu the peacock opens his fan as they pass.
LYRIC CUE: [Chorus]
[2:22–2:44] EXT. VILLAGE LANE - DAY
Krishna, Balarama and Madhu race down the lane past cows and drying laundry, butter still on their cheeks. Village children join the run. Neelu the peacock opens his fan as they pass.
LYRIC CUE: [Chorus]
Ce que disent les paroles : Le même refrain que précédemment, mis en scène cette fois comme une course-poursuite dans la ruelle du village.
Prompt de cette section : pas de temps fort distinct dans le concept. Atlabs a rempli ces plans à partir des sections voisines.
Ce que disent les paroles : Un deuxième silence musical. Comme le premier, il n'a pas de temps fort propre dans le concept et sert de transition vers le pont.
[2:44–3:08] EXT. COURTYARD GARDEN - DAY
Quiet. Krishna sits in the dust with a pinch of mud near his mouth. Yashoda kneels and gently tilts his chin up. He opens his mouth wide.
Inside: turning stars, drifting planets, whole galaxies moving slowly. Yashoda sits back, stunned.
CUT TO: She loops a rope around his waist — two fingers short. A longer rope — two fingers short. A pile of ropes at her feet. She stops, breathless, and smiles at him. The little rope closes gently around him on its own.
LYRIC CUE: [Bridge]
[2:44–3:08] EXT. COURTYARD GARDEN - DAY
Quiet. Krishna sits in the dust with a pinch of mud near his mouth. Yashoda kneels and gently tilts his chin up. He opens his mouth wide.
Inside: turning stars, drifting planets, whole galaxies moving slowly. Yashoda sits back, stunned.
CUT TO: She loops a rope around his waist — two fingers short. A longer rope — two fingers short. A pile of ropes at her feet. She stops, breathless, and smiles at him. The little rope closes gently around him on its own.
LYRIC CUE: [Bridge]
[2:44–3:08] EXT. COURTYARD GARDEN - DAY
Quiet. Krishna sits in the dust with a pinch of mud near his mouth. Yashoda kneels and gently tilts his chin up. He opens his mouth wide.
Inside: turning stars, drifting planets, whole galaxies moving slowly. Yashoda sits back, stunned.
CUT TO: She loops a rope around his waist — two fingers short. A longer rope — two fingers short. A pile of ropes at her feet. She stops, breathless, and smiles at him. The little rope closes gently around him on its own.
LYRIC CUE: [Bridge]
Ce que disent les paroles : « Ouvre la bouche, mon petit », a dit Maiya. La lune, les étoiles et tout l'univers sont apparus à l'intérieur. La corde était trop courte, de deux doigts à chaque fois. Ce Gopal espiègle ne se laisse lier que par l'amour.
Ce que disent les paroles : De sombres nuages se sont amassés et la pluie est tombée à torrents. Gokul frissonnait, tout le monde était trempé, les vaches agitées. Il a soulevé la colline de Govardhan sur son minuscule doigt. Le rocher est devenu un parapluie et le monde a été sauvé.
Scène 84 · 3:48.7 · 2.5s — बन गई चट्टान, बच · Lire le clip
Scène 85 · 3:51.2 · 2.5s — गया संसार। माखन · Lire le clip
Refrain 3 : la danse sous la colline
Refrain · Scènes 86–96 · 3:54–4:24
Prompt de cette section (tiré du concept) :
[3:32–3:54] EXT. UNDER GOVARDHAN HILL - DAY
Everyone dances in the dry golden light beneath the hill: children clapping, gopis circling, calves skipping. Krishna holds the hill steady with one finger and grins straight at camera.
LYRIC CUE: [Chorus]
[3:32–3:54] EXT. UNDER GOVARDHAN HILL - DAY
Everyone dances in the dry golden light beneath the hill: children clapping, gopis circling, calves skipping. Krishna holds the hill steady with one finger and grins straight at camera.
LYRIC CUE: [Chorus]
[3:32–3:54] EXT. UNDER GOVARDHAN HILL - DAY
Everyone dances in the dry golden light beneath the hill: children clapping, gopis circling, calves skipping. Krishna holds the hill steady with one finger and grins straight at camera.
LYRIC CUE: [Chorus]
Ce que disent les paroles : Le dernier refrain, mis en scène comme une fête sous la colline soulevée.
[3:54–4:10] EXT. VRINDAVAN PASTURE - EVENING
Amber sky, golden grass. Krishna sits on a rock playing the bansuri. Radha, Balarama and Madhu sit around him. Cows lift their heads, Neelu dances slowly.
Yashoda appears at the far edge of the field, waving him home. Krishna lowers the flute, grins, and runs down the slope, anklets jingling.
LYRIC CUE: [Outro]
[3:54–4:10] EXT. VRINDAVAN PASTURE - EVENING
Amber sky, golden grass. Krishna sits on a rock playing the bansuri. Radha, Balarama and Madhu sit around him. Cows lift their heads, Neelu dances slowly.
Yashoda appears at the far edge of the field, waving him home. Krishna lowers the flute, grins, and runs down the slope, anklets jingling.
LYRIC CUE: [Outro]
[3:54–4:10] EXT. VRINDAVAN PASTURE - EVENING
Amber sky, golden grass. Krishna sits on a rock playing the bansuri. Radha, Balarama and Madhu sit around him. Cows lift their heads, Neelu dances slowly.
Yashoda appears at the far edge of the field, waving him home. Krishna lowers the flute, grins, and runs down the slope, anklets jingling.
LYRIC CUE: [Outro]
Ce que disent les paroles : Le crépuscule doré tombe et la flûte résonne sur l'herbe. Les paons dansent, les vaches s'immobilisent, même le vent s'arrête. Maiya appelle : « Rentre à la maison, le beurre est prêt. » Il lâche la flûte et court : le beurre d'abord, la chanson ensuite.
Scène 105 · 4:44.6 · 4.8s — फिर मल्हार। · Lire le clip
Plan final
Fin de l'outro · Scènes 106–108 · 4:49–4:59
Prompt de cette section (tiré du concept) :
Ce que disent les paroles : La musique s'éteint sur l'image finale, qui répond à la plume de l'ouverture. Le logo Atlabs apparaît sur la dernière scène en superposition d'image.
Une fois que chaque scène vous convient, exportez la story. Ce film a été rendu en 2K, avec la chanson originale comme bande-son et le logo Atlabs ajouté en image sur la dernière scène. Un film de 5 minutes s'exporte en un seul MP4, prêt pour YouTube.
Créez le vôtre
Commencez par la chanson terminée. Le rythme des scènes vient des voix : verrouillez donc l'audio en premier.
Décrivez chaque personnage une seule fois, en détail. Les couleurs, les vêtements et un accessoire signature (une plume de paon, un œillet d'Inde dans un turban) font plus pour la cohérence qu'une longue histoire de fond.
Donnez à chaque section de la chanson son propre temps fort. Citez les premiers et derniers mots des paroles dans un LYRIC CUE pour que les visuels tombent sur les bonnes lignes.
Mettez en scène les refrains différemment à chaque fois. Le même refrain devient une course-poursuite dans la cuisine, une course dans le village, puis une danse sous la colline : les répétitions ne donnent jamais l'impression d'être recyclées.
Encadrez le film. La plume qui tombe dans le premier plan revient dans le dernier, ce qui donne à un court film un sentiment d'achèvement.
Copiez le concept ci-dessus, remplacez la chanson, les personnages et les temps forts par les vôtres, et vous avez la recette complète.
